All the colours of life. God at heart.

DO SOME GOOD!

Real organisations, practical action and official contacts.

A colourful shape-sorting toy, a symbolic photograph unrelated to any specific ABIO activity

IN HOSPITAL, PLAY MATTERS TOO.

At home, an unfinished game might be a minor annoyance. In hospital, starting a game or choosing a colour can help restore something familiar. Between examinations, waiting, and changed routines, a child still has tastes, curiosity, and a wish to play, even when the adults are full of worry.

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A volunteer washes dishes in a soup kitchen

TONIGHT, DINNER ARRIVES ON FOUR WHEELS.

For many of us, deciding dinner means opening the fridge and declaring there is nothing, even when something is there. For someone living on the streets, the question differs: where can I eat tonight? A concrete distance separates those scenes. A kitchen on four wheels tries to cross it, taking a meal to where someone is waiting for it.

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A washing machine in a laundrette: a contextual photograph, not a Sant’Egidio facility

A WASHING MACHINE CAN CHANGE A DAY

The washing machine finishes while you are doing something else. Open the door, retrieve the sock stuck to the drum, check whether that stain has finally gone. It is so normal that dedicating an article to it may seem absurd.

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A table set for four, photographed by Tomwsulcer. This is not Refettorio Ambrosiano.

AT THE REFETTORIO, SETTING THE TABLE IS WELCOME TOO.

A clean plate, a ready chair, someone who knows your name. At home we often do these things without thinking. Yet they can change how welcome a person feels. In Milan, Refettorio Ambrosiano has built a project around a meal in which space, beauty and relationships with those sitting at the table matter too.

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A vintage telephone photographed by Alexander Andrews. Contextual image: it does not document equipment or participants in Viva gli Anziani!.

I’M CALLING JUST TO ASK HOW YOU ARE.

You open your contacts to ask for something. An address, a document, the name of that shop. Then you scroll a little further and find someone you have not spoken to for a while. You think you should call. Immediately you look for a better reason, as though asking how they are were not enough.

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An open notebook with a pencil, photographed by Jan Kahánek. Contextual image: it does not document a Centro Astalli lesson.

KNOWING WHAT TO SAY. FINALLY BEING ABLE TO SAY IT.

You know the sentence. You prepared it while waiting. Then your turn comes and the words take a longer route: you search for a verb, get an ending wrong, worry that the other person will lose patience. What you wanted to explain was simple. Saying it in a language you are still learning is anything but.

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