All the colours of life. God at heart.

MARY, MOTHER AND MORE

Mary, the Rosary and the stories of Marian devotion.

The Young Virgin by Francisco de Zurbarán, a devotional painting in the Metropolitan Museum of Art

MARY WAS A LITTLE GIRL TOO.

Every so often, a photograph turns up. An uneven fringe, shiny shoes, a very serious expression in front of a birthday cake. You look at it and struggle to remember that the little girl is you. People who know you now see the things you do: working, accompanying, deciding, organising. In that photograph, so much was still ahead of you.

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Madonna del Parto by Piero della Francesca

MARY, YOUR BODY WAS NEVER A MINOR DETAIL.

“Have you lost weight?” “When are you having a baby?” “You still look wonderful for your age!” Sometimes one family lunch is enough to make your body the centre of a conversation you never chose. Everyone has an observation. You only wanted to pass the bread. What if nobody asked you to explain yourself for a moment?

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Seating inside the Catholic Cathedral of Saint Paul in Münster

I SIT DOWN. EVERYONE HERE KNOWS HOW TO PRAY EXCEPT ME

You arrive a few minutes early to avoid attracting attention. Then discover that arriving early means choosing a seat while everyone greets each other by name. You sit halfway back: close enough to participate, far enough to feel safe. Someone opens a booklet. You check your phone is silent.

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The Flight into Egypt by Fra Angelico. Historical artwork, not a photographic reconstruction of the event.

MARY HAD TO LEAVE HOME.

Some keys stay with you even when you no longer open that door. In a box, a drawer, the bottom of a bag. Moving house is a happy project for some people. For others it means leaving somewhere without choosing to. In the Gospel, Jesus' family also experiences a departure driven by danger.

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A Catholic rosary with a Saint Benedict medal in the cross, photographed by Daniel Tibi. Contextual image, not an object belonging to the family in the editorial scene.

GRANDMA’S ROSARY. AND WORDS YOU CAN FIND AGAIN.

You were looking for something completely different. A key, a photograph, a button to sew back on. At the bottom of the drawer you find a rosary, and for a moment you seem to remember its sound before you have even picked it up. Beads slipping through fingers, a quiet voice, words said together.

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Le Magnificat, an anonymous painting held at the Musée Magnin, digital reproduction.

MARY DOES NOT ONLY SPEAK SOFTLY.

You have something important to say. You rehearse it in your head, look for the moment, wait for someone to finish. Then another person starts speaking and you put it off. When you finally find an opening, you begin with an apology: it is probably silly, perhaps I am wrong, I do not want to bother anyone.

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Crucifixion with Mary and Saint John: reproduction of an engraving by Gijsbert van Veen, around 1593, Metropolitan Museum.

DON’T TELL ME TO BE STRONG. STAY HERE.

Someone calls to ask how you are. You would like to say that today you do not know yourself. Instead, you say you are holding on, carrying on, trying to be strong. Then you hang up and realise that you have mostly reassured the person who called.

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